當(dāng)今社會，國內(nèi)眾多書畫家正面臨著 “酒香也怕巷子深”的難題。多數(shù)書畫家苦心創(chuàng)作卻得不到市場認(rèn)可，藝術(shù)家和優(yōu)秀的作品越來越多，但是仍然有很多有才華的藝術(shù)家和優(yōu)秀的藝術(shù)作品沒有被發(fā)掘出來，為順應(yīng)時(shí)代潮流和社會發(fā)展趨勢，網(wǎng)絡(luò)推廣是很有必要的。中國書畫藝術(shù)家如何在廣大藏家和藝術(shù)愛好者中提升知名度呢?還是看看美術(shù)網(wǎng)對藝術(shù)家包裝推廣都有哪些奇招妙招吧?

在如今的時(shí)代，人人都需要包裝自己，書畫家的包裝有更高的要求和標(biāo)準(zhǔn)?！靶g(shù)業(yè)有專攻”，專業(yè)的人做專業(yè)的事。書畫家的天職就是搞好創(chuàng)作，為人類創(chuàng)造出更多美的精神食糧。美術(shù)網(wǎng)作為國內(nèi)一家專注于書畫家網(wǎng)絡(luò)包裝的服務(wù)平臺，有著專業(yè)的網(wǎng)絡(luò)包裝經(jīng)驗(yàn)與技術(shù)，眾多的免費(fèi)推廣方案以及豐富靈活的合作方式，期待著與您建立長久的伙伴關(guān)系，沒有最好只有更好，美術(shù)網(wǎng)的持續(xù)發(fā)展，將會切實(shí)為書畫家及收藏家?guī)砀嗫旖萦行У姆?wù)。

《途中見懷詩》軸，明，黃道周書，紙本，立軸，縱141厘米，橫32厘米。行書，3行。

釋文：

“側(cè)岸危途見白日，斷帆吾道正中流。何能睨柱還雙璧，自是量才過一丘。洗耳天高巢父徑，文身江闊越人舟。已償簪筆當(dāng)年愿，別領(lǐng)浮槎方外州。答王覺生途中見懷之作，錄似昆翁王年丈正。黃道周?！?nbsp;

鈐“黃幼玄”、“道周”印2方，引首印鈐“五伐三洗亢復(fù)來”。收藏印鈐“伍怡堂書畫記”。

此軸書法用筆摻和鐘繇筆勢，方拓峻峭，險(xiǎn)勁倔強(qiáng)，結(jié)體呈俯仰欹側(cè)之勢，章法緊密，陣勢森羅，頗有“嚴(yán)冷方剛，不諧流俗”之性格。

--------Introduction in English--------

"On the way to see Huai Shi" axis, Ming Dynasty, Zodiac Zhou Shu, paper, vertical axis, 141 cm in length, 32 cm in horizontal. Line 3.

Annotations:

"Days are seen on the dangerous side of the bank, and sails are broken and our way is in the middle stream. How can the pillars still be double-edged? They can only pass one mound by their own measure. He is tattooed across the river and boats. Having fulfilled the original wish of hairpin pen, do not lead the floating Fangwaizhou. Answer to Wang Juesheng's works, which are recorded by Wang Nianzhang of Kunweng. Zodiac week."

Jun's "Huang Youxuan" and "Dao Zhou" printed two sides, leading to the "Five Wars and Three Washes Come back". Collect "Wu Yitang Calligraphy and Painting Records" in Yinjun.

This axis of calligraphy mixes Zhong Kui's style with his pen, which is rugged, dangerous and stubborn. The structure is pitched and sideways. The comPOSTTTION is close and the situation is strong. It has the character of "cold, square, uncoordinated and vulgar".